Programme

• Duygu Serdaroglu

‘This is Dyoublong:’ The Doubling Characters in “A Little Cloud” and “Clay”

• Eoin McGloin

“The Celtic Note”: Avatars and Estrangement in James Joyce’s ‘A Little Cloud’

• Hawk Chang

Doubling of James Joyce’s Dubliners in Pai Hsien-yung’s Taipei People

• Sofiia Koptiukh

“By the lighted dial of a clock”: Anachronism in Dubliners as a Contradiction Within Modernity

• Anne Marie D’Arcy

Surveying ‘A Ponderous Saxon’ (U. 1.50): The Double Character of Haines’ English Signals

• Krisztina Rákóczy and Anna Pomozi

Echoes of Old English Literature in Joyce’s Poetic Novels (NB a double presentation)

• Ebury, Katherine

The Limits of Feminist Belonging in ‘Circe’ and Beyond

• Lawrence, Casey (Chair)

Joyce’s Male Loneliness Epidemic

• James Green

Reading Access: James Joyce and Mary Colum at University

• Henry Chen

Benchmarking Non-Gabler Editions of Ulysses Using a Corrected Version of Arion Press

• Onno Kosters

In Other Worlds: Translation as Annotation?

• Matthew Chambers

“Joyce Among the Booksellers”

• John O’Connell

Skibbereen and Joyce: 2 Bs or Not 2 Bs?

• Talia Abu

Meathman or Meccan?: HCE’s Ottoman Double

• Gregory

“… that we may tell of the seven peoples who took Ireland before them”: “The Book of Invasions of Ireland”, Deep History, and Archival Silence in “Finnegans Wake“

• Pearse McCaughey

“After the Race”: 1903 perspective

• Adam Kerker

“Doublejoynted” Conversations: The Dialogical Ethics of Finnegans Wake

• Marian Eide

Troubling, Doubling Conscience

• Adrian Paterson

Burning roof and tower: Yeats reading Ulysses

• Katarzyna Biela

“Claire-Louise Bennett as Joyce’s 21st-century quasi-double: a dive into correspondences between their works”

• Wit Pietrzak

Paul Muldoon’s adaptations of “The Dead”

• Michael Gleason, Ann MacMaster

Every Man His Own Doppelgänger: Gabriel Conroy and Gustav von Aschenbach

Every Man His Own Doppelgänger: Gabriel Conroy and Gustav von Aschenbach

• Stephanie Nelson

Doppelgängers in Ulysses and the Metamorphoses

• Barry Spence (Chair)

Doubling, Juxtaposition, & Montage in Finnegans Wake

• Skylar Fetter

Transfigurative Female Agency in Joyce’s Natural World

• Hou Xiaoshan (Ian Hou)

“General All Over Ireland”: Forecast Generality, Climatic Form, and Routed Time in Joyce’s “The Dead”

• Nina Milonet

“re-peating yourself”: Peat as an Archive and a Prophecy

• Pooja Bachani

A Pocket Full of Doubles: Objects and Things in Ulysses

• Patrick Callan

“Etiquette is etiquette” Mourning fashion in Ulysses

• Anxin Zhou

“Dual Shop Windows: Cross-cultural Journey of Commodities and Intercultural Continuum in Ulysses”

• Joshua Hren

Dyoublong Wronglings to Dostoyevskian Dupes: The Grand Inquisitors of Finnegans Wake

• Shane Lillis

“Is that Dog a Belonging? Figures and Forms of the Dog in the “Proteus” Chapter.”

• Peter Quadrino

“Cross-cuts among the comets”: The Melville Revival and Finnegans Wake

• Freddy Conway-Shaw

Freud[ig] and Joyce[ful]: A Doubled Development of Dream as Text

• Bridget O’Rourke and James Shaw

Twin Adjacencies (double presentation)

• Daniel Deasy

‘Flying by the Nets of Time in Joyce’s A Portrait of the Artist as a Young Man’

• Damon Franke

The Qualitative Multiplicity of Joyce’s Use of Adverbs

• Riley Moore

Nietzsche in Dublin: The Making of Joyce’s Double

• Anne Ciecko

Joyce and videopoetic doublings

• Adam Gee

Strickly Forbidden: filming the unfilmable novel

• Luc Gerard

“He saw himself…”: Interiority in James Joyce’s and John Huston’s The Dead

• Eliso Pantskhva

Translating Narrative Duality in Joyce’s “Nausicaa” Episode into Georgian

• Irakli Tskhvediani (Chair)

Translating Ulysses into Georgian: Nico Kiasashvili and the Art of Joyce Translation

• Nino Tsurtsumia

Urban Toponyms in the Georgian Translation of Ulysses

• Maria DiBattista (Chair)
• Jay Dickson

Doubling Entendres: Robert McAlmon, James Joyce, and Camp

• Jonathan Greenberg

Nighttown, Naked Nymphs, and Naughty Nicknames: Pornographic Joyce in the 1970s

• Scott Klein

The Man Who Fell to Earth: Stephen Dedalus and the Afterlives of Icarus

• Eliana Rozinov

“Gerty’s Cross”

• Tim Conley

“The Simulchronic Flush in His Pan”

• Teresa Prudente

“Unnarrated but existent by implication”: Multiplying Fictional Minds in Ulysses

• Federico Sabatini

“We are circumveiloped by obscuritads”: Syntax and Shadows in Joyce and Bruno

• Sam Slote (Chair)

Narrative Minimalism and Mimesis in Joyce

• Casey Gough

Doubling Stephen’s Shakespeare Theory: Adaptation as Interpretive Method

• Mohamed Hajjaj

The Practice of Annotation in Ulysses: Immanence, an Epistemological Limitation, or a Plane of Ideology?

• Jack Rodgers

‘Two Names for One Thing’: Mangan, Shem, and Joyce’s ‘revolt against actuality’

• Laura Karttunen

What can Joyce do for Narrative Medicine? Perspective taking in reading and rewriting “A Painful Case”

• Zoe Patterson

“The Two-Headed Reading Group Sees Twice As Many Stars As Usual: Joyce reading groups, academic and non-academic readers, and combined reading methodolgies”

• Magnus Persson

Among the Joyceans: Notes towards the Definition of Passionate Reading as a Way of Life

• ,Jo Nugent, Joshua Gorniak, Connor Quinlan

Joyce Ways

• John McCourt

TBC

• Clara Scholz

The Author’s Life, After life…

• Martin Muehlheim

“Joyce’s Spectral Siblings: From Stephen Hero to A Portrait of the Artist as a Young Man,”

• Dirk Vanderbeke

Notes towards the Definition of Passionate Reading as a Way of Life 

• Victoria Vestić

A Soul Both Fractal and Meaty: A Fractal Reading of Joyce’s A Portrait

• Michael Joyce and Carolyn Guyer

“Sosie sesthers with twone”: a beguyering Joycebeannacht doppelgängerische Artsa-Zoomish boudeville (30 min video performance)
Q&A with the Authors via Zoom

• Zenon Fajfer

“His own wrunes for ever”
doubled into English by Katarzyna Bazarnik

• Holly Allen

“Talking About Ulysses: Gendered Speech Styles in the James Joyce Novel,”

• Jiamei Li

“Noise as Form’s Material Double: Fugal Breakdown and Sonic Events in Joyce’s “Sirens””

• Olena Tykhomyrova

“re-peating yourselfJames Joyce and social dancing: a double perspective of a reader and a dancer”: Peat as an Archive and a Prophecy

• Matthew Hodgson

Joyce, Derrida, and Mothers: Touch, Self-Alterity, and Misdoublings

• Anna Pulit

Leopold Bloom: “the new womanly man”

• Zoey Sheinberg

Masculine Nations, Sexualities, and Lucky Potatoes: Deconstructing Leopold Bloom’s Masculinities in James Joyce’s Ulysses

• Bartłomiej Gąsiorek

The Reflections: Mythical Doubles and Jungian Shadows in James Joyce’s “Ulysses” and Stanisław Wyspiański’s “The Wedding”

• Barry Keane

Consolations for Rudy and Orszula. The Shared Frames of James Joyce’s Ulysses and Jan Kochanowski’s Threnodies

• Henry Mead

From Opposite Poles: Joyce and Lewis as Doubles

• Cassie Drieschner

“Anti-Colonial Possibilities and Appropriated Identities in James Joyces’ Ulysses”

• Vincent Rasmussen

“What Is Your Nation?” The Napoleonic Wars and Historical Doubling in Joyce

• Kumiko Yamada

Encounter and conflict: the coalescence of BUTT and TAFF and beyond

• Elisa Moy

“‘Sculpting Selfsounder’: Imaginary Movement and Ways of Reading the Not Yet Formed in Finnegans Wake”

• Penelope Wade

“The Midden and the Magus: Symbolic Doubling in the Tarot of Mme Marion Bloom”

• Keith Williams

‘Stone cold and pure?’ Living Statues in Ulysses

• Luísa de Freitas

Translations of Ulysses in Latin America

• Vitor Alevato do Amaral (Chair)

Echoes of Ulysses and Finnegans Wake in Latin American Literatures: Portuguese and Spanish

• Tarso do Amaral de Souza Cruz

Translations of Finnegans Wake in Latin America

• Jeff Drouin

Stannie Joyce

• Walter Gehr

James Joyce & Austria

• Erik Schneider

“The Artificial Jew – The Problem of Leopold Bloom’s Jewish Identity “

• Jasper Harrington

OMINOUS—FOR (J)IM!: A Sentiment Analysis of the ‘Aeolus’ Microtexts

• Kris Peeters

In Other Words: the James Joyce Retranslation Corpus (JJRC)

• Dafne Ramos

Chatting with Molly Bloom: Case Study of Emotional Connections with AI Simulations

• Maud Ellman, Marilyn Reizbaum

Joyce, Woolf, and Brophy: Tristended Echoes

• Catherine Flynn

TBC

• Claire Adams

Fluid Bodies and Double Lives: Desire, Ambiguity, and the Dialectic in Ulysses

• John Hunt

More peeps through the keyhole

• Timothy Martin

“Stephen, Hamlet, and Resistant Mourning”

• Tamar Gelashvili

“Translation as a Double: (The Georgian Translation of Finnegans Wake)”

• Giorgi Sharashenidze

Editing Process as a Double (From an editor’s perspective on the Georgian Translation of Finnegans Wake)

• Pol Vouillamoz

Beyond equivalence: translation as invariance in Joyce’s «Finnegans Wake»

• Ulkar Asgarova

Doubling Without Origin: Myth as a Textual Effect in Ulysses

• Raunak Kumar

The Disjunctive Double: World-Systems, Weak Structures, and the Unfulfilled Epic in Ulysses

• Markku Lehtimäki

That Man in the Macintosh: Nabokov, Ulysses, and the Significance of Details

• Thomas Gurke

The ‘Unsung’ Dimension of “Sirens”

• Roger Lüdeke

A Socio-Poetics of Doubling in “Sirens”

• Gavin Young

What’s the Word on the Wake? Material and Virtual Doublings in Joyce’s “Word in Pregross”

• Cleo Hanaway-Oakley

‘my eyes are so capricious’: Joyce and Dynamic Disability

• Eoghan MacArdghail

Stephen Dedalus, Leopold Bloom, and the cosmic Meeting of their Waters

• Christine O’Neill

‘Nosing closer’ (3.349) with Perfumances 1.0 and 2.0

• Terence Killeen

The Conversion of St Patrick: How “Patrick and the Druid” evolved

• Lorenzo Peyrani

A Rainbow Without one Colour: The Logic of the Green World in Finnegans Wake

• Wallace, Nathan (Chair)

A Game of Reconstructions: Saint Patrick and the Archdruid.

• Michelle Harder

‘Fluviana’: The Revolution of the Photograph in transition

• Saxton Nelson

“Who chose this face for me?”: Reading Joyce Through Videogame Narrative Forms 

• Katharina Rajabi

“Photogrammatology. Joyce, the photogram and the non-mimetic indexical aesthetics of Modernism (Man Ray, Moholy-Nagy)”

• Iva Dimovska

Ordinary Crises and Minor Utopias: Joyce and Bowen

• Emily Reed

The Shadow selves of Joyce and Huxley

• Lochie Springett

Miriam Dedalus: Dorothy Richardson’s Serial Selves

• Jeff Drouin

Q&A with the JJQ editor-in-chief Jeff Drouin

• Eric Alan Lewis

Transit, Doubling, and Uneven Anonymity in Modernist Fiction

• Robert Seidman

TBC

• Henry Barlow

“How to Do Things with Schemas”

• Vince Cheng

Doubling, Belonging, and Otherness

• Anne Fogarty

Ghostly Traces: The Stories of J. Sheridan Le Fanu and Joyce’s Dubliners

• Ellen Carol Jones (Chair)

TBC

• Agata Szczeszak Brewer

Gendered Nationalisms in James Joyce’s Ulysses and Witold Gombrowicz’s Trans-Atlantyk

• Trisevgeni Bilia

‘Reading Joyce’s Greek notes’

• Sean Byrne

Names After Circe

• Congrong Dai

Advancing Cross-Cultural Understanding Through Experimental Literary Translation: Chinese Translation of Finnegans Wake in China

• Sun-chieh Liang

“in the formose of” (FW 154.21): Making a Nonscenes of the Taiwanese Sinitic Translation of Joyce’s Finnegans Wake

• Enrico Terrinoni (Chair)

• Eishiro Ito

A Portrait of the Biographer as a Genetic Critic

• Zachary Leader, Colleen Jaurretche

Conversations with a Biografriend: Leader’s Ellmann’s Joyce.

• Toby Harris

We may plesently heal Geoglyphy’: Interceullcular histories in ‘Finnegans Wake’

• Mahdi Kashani

Cubehouse bissyclitties’

• Liliana Sikorska

Traversing the Realms of the Dead in Finnegans Wake and The Devil I Know

• Teresa Caneda

Painful Reminiscences: Vulnerability, Intimacy, and Grievability in Joyce’s “The Dead” and Mary Costello’s “Barcelona”

• Saide Harb-Ronero

“Anne Enright’s Reply to James Joyce Through The Gathering: A Postcolonial Question Answered Through The Gothic”

• Katarzyna Piecuch

Deformed bodies, impossible girlhoods: Representations of body politics, alienated girlhood and scarred flesh in James Joyce’s Ulysses and Eimear McBride’s A Girl is a Half-formed Thing

• Peter O’Brien

Video excerpts from Plurabelle (Opera in Progress)
Q&A with Peter O’Brien, the librettist

• Jack Carlisle

“Flesh is Weak”

• Cathal Coleman

“…an old man…with a shock of very white hair hanging down to his shoulder”: John O’Leary

• Senan Molony

“The Krakow Character in Ulysses The Double Life of Aaron Figatner”

• Michał Lachman

Between stream of consciousness and class consciousness. Double decomposition of James Joyce in Tom Stoppard’s “Travesties”

• Maryam Najafibabanazar

Language, Power, and the Coloniality of Identity in Joyce, Friel, and McDonagh: A Decolonial Reading

• Vito Paoletić

Doubles (and singles) in James Joyces play Exiles

• Richard Barlow

“Weird Joyce”

• William Brockman

“in somes incontigruity”: Joyce’s Works in Early Anthologies and Magazines

• Natalie Kamovnikova

Ulysses’ in the Soviet Union: Adoration and Aberration

• Blake Brownrigg

A Yan Fu Triangle: Faithfulness, Expressiveness, and Elegance in the Three Chinese Translations of James Joyce’s Ulysses

• Irena Grubica

Joyce Across Languages: Two Croatian Translations of “Sirens”

• C.A. Shoultz

“Something Out of The Common Groove”: a celebration of “Eumaeus,” Ulysses’ Most Important Episode

• Iana Dashkova

Ukrainian Insights into Chapters 1-6 of Finnegans Wake

• Mark Kaufman

The Double Life of Letters: James Joyce and Cryptography

• Clara Mason

Kracking the CODE in Krakow

• Renata Adail

“Near to the wild heart (of life)”: Clarice Lispector’s dialogues with Joyce

• Joe La Bine

“The Dead” in “Ambros Adelwarth”: Sebald’s Sense of Epiphany

• James Ramey

Joyce’s Parasitic Internationalism: Doubles, Doubling, and Global Modernism

• Kevan De Cuypere

Future Perfect: Double Visions of the Promised Land in ‘Aeolus’

• Victor D. Flores

Gone with ‘Aeolus’

• Andrew M. Henderson

“A Pisgah Sight”: Palestine as Ireland’s colonial double

• Michael Roderick

Chiasmus, Synchisis, and the Doubling of Man and Machine in Aeolus

• Frances Ilmberger

Doubling down: Knowledge, Refusal and Acknowledgement in Joyce’s Works

• Michael Timins

Flynnegans Wake

• Damian Walsh

Tripling: Joyce’s repetitions and devotional time